Ask Santa for Something You Really Want

I love books.  I have collected far too many of them, but I do love them and can't seem to be comfortable without them being around me wherever I am.  The only thing I love more than books are books about sewing. 

For the past several years we have benefited from the existence of a place in northern California dedicated to patternmaking and the study of style.  Have you heard of The Center for Pattern Design?  If that special someone still has no clue what to buy you for the upcoming holiday, direct them to the book section of the CFPD website.   There are many rare book reprints and patternmaking books (for both men and women), software and DVDs ranging in cost $9.99 and up.  While you're there, check out their upcoming classes, tools and supplies, and sign up for their newsletter.  So many good things are happening there! 

And, when you have a moment, read the newsletter archives.   They have so many knowledgeable teachers planning to lead seminars and classes during the upcoming year (2012).  (Sato taught a class there last year; so don't forget to peek at the photos section to get an idea of what it was like in class.)  What could be more inspiring than taking a patternmaking class in northern California?!  (I know, I know...taking one in Paris..!  lol) 

I'm saving my money to get Harriet Pepin's Modern Pattern Design, a really hard-to-find authorized reprint.  I'd love to hear what books you placed on your wishlist, so leave me a note!  

Domino and I wish you a great Holiday Season and hope you get to squeeze in some needle time! 

Just remember, take it one stitch at a time!...

Pattern Placement is Critical

Okay,...I'm putting this out there as a work-in-progress because I need an excuse to post Thanksgiving Greetings to everyone reading a blog on this holiday.  Perhaps you're up early, have had a cuppa coffee and let the dog out....like me.  Special greetings to you.  Make sure you hug someone today...make it a good long hug where you are the last one to let go.  And, think of a good family memory.   

This also has a therapeutic purpose also.  If you've been following along for a while, you would have read how I am packing up my mother's home and preparing it for sale.  I will then collect my belongings from storage in the suburbs of Atlanta, and begin another phase of my life.  At this particular time, my creative time for sewing is extremely limited.  This blog is about one project that needs about two 4-hour blocks of time to bring to completion.   



Vogue 2960  (back)
Please ignore the floor...I know it clashes badly!



The dress is Vogue 2960 one of my absolute favorite vintage pattern reproductions.  The picture on the right is of the back of the dress.  I love the cabbage rose fabric I bought from Repo Depot a few years ago.  They offered the fabric with dark green, blue and (my selection) beige backgrounds.  I gravitated toward this fabric because I have memories of my paternal grandmother's living room drapes that had the dark green background.  She was the grandmother whose sewing machine (a Singer 401) I use to this day.  The construction process included serging all the inside seams, and (just prior to) completing the grosgrain ribbon waistline stay, I decided to include a petticoat.  The only steps remaining are completing and attaching the petticoat and creating the buttonholes.  The pattern instructs you to make bound buttonholes on the bodice front.  I didn't think the dress requires them.  Now, I understand why they selected this design feature.  One buttonhole is positioned so that the opening sits in the waistline seam.  I'm contemplating opening the seam instead of trying to work a machine buttonhole at that position.  It may be easier to make the bound buttonholes!  lol   I also could forget the button at that place and add a hook and eye.  I plan to wear the dress with a self-fabric 2" covered belt and buckle.  I also think I want to add one pocket large enough for keys or hankerchief.  There will be red heels, that I know...And dark green suede heels in the winter...! 

 



Vogue 2960 front 
shows importance of pattern placement

  Only after taking these pictures did I realize the importance of stepping back from your work,  I don't know if I will be able to get over the terrible pattern placement on the bodice.  If I had more fabric, I would certainly re-do it.  Repot Depot no longer does retail business, and I've nothing but scraps after making the petticoat bias binding.  

I had not yet discovered the great tutorial from Gigi Sews (miss you, Gigi)!  I wonder how much more fabric should be bought to accomodate possible fabric pattern matching?  Aha!...perhaps the answer is in the fabric and how often that particular pattern repeats.  Anywhere, there is noneof this fabric left in the universe, and I am torn between finishing it and investing in a shawl or calling it an official UFO.

So, the picture that follows is the last of the gathered notions and fabric required to complete this project.  The red grosgrain will be used between the petticoat tiers. 

Skirt and lower ruffle of petticoat plus notions

Depending on how long it takes to sell the old homestead may leave more time than I think.  You will see it finished, I just can't tell you exactly when.  There are quite a few of these project bags sitting around me right now.  Makes me really anxious to work like this....I'm more of a one-project-a-time sewist. Are you?  

I am invited out to dinner with old family friends and neighbors.  They moved into their house in 1957 on thiss block and have lived here every since.  Our family drove moved from Nebraska to California a couple of years later.  I grew up with their children, and their gatherings are legendary.  Real neighborhood celebrities and a great couple (see the June 2011 issue of Jet Magazine, wedding/anniversary section).  The food should be gooood!

I'll talk to you again, soon...

Remember, take it one stitch at a time....

And you'll be just fine...

I love comments and conversation...so if you feel so inclined....please do! 

Hidden Treasures

I listed the ad locally with the headline "Estate Sale of Hoarder 7am-2pm" and had moved tabled items and boxes around the driveway the day before.  It rained overnight--hard.  A very good friend was driving about 150 miles early that morning to help me.  She was late.  The first customers arrived at 4:30am....yes, that's right...four thirty in the morning.  They hovered at the end of the driveway like zombies, their black profiles moving closer to the garage in misty shadows.  I was a little un-nerved.  Finally, I yelled out the door and asked them to please sit in their cars until the opening time.  Seven o'clock came....I had no change...no posterboard signs had been scattered in the surrounding neighborhood hotspots.  The sun was barely up before the swarm started digging through the soggy cardboard boxes for treasures. 

One man bought all the costume jewelry in bulk.  A bunch of women started digging in the numerous hat boxes (my mother was a church-lady with far too many outlandish hats).  One women took all the tablecloths, napkins, and doilies.  Shoes, bags, unopened Fingerhut boxes, QVC boxes, HSN boxes and knicknacks (hate them...endless dustcatchers) were assaulted.  A set of leather luggage including the ladies' train case sat waiting their turn to be chosen among...pots....dishes...cut glass...handkerchiefs, gloves.....sigh.  It was endless.  And, I haven't mentioned the vintage lingerie she kept....you don't wanna know.

I will never do this again (if I can help it, I pray...).  My shoulders ache and my back is stiff.  It was three days of dust and standing for hours on cement.  Not enjoyable...But, many dealers are very happy...and $o am I.  I am packing up the homestead and readying it for sale.  My mother was a hoarder,...need I say more?  I had to sleep in the living room for the first 9 months after I arrived while I cleared out two bedrooms of 'stuff.'  This has been a true test...(required if you have a testimony, right?)

What was interesting from the sewing standpoint was to discover five trunks filled with my mothers sewing projects, finished and unfinished.  These are the type of trunks college students drag from home to house their belongings in dorm rooms during their college stay.  The trunks hadn't been opened in a long time, but the contents of all were in perfect condition.  The paper bags protecting all this polyester fabric (remember, the 70s ushered in the leisure suit era) reminded me of the many fine fabric stores that were part of my young sewing experience.  Their names and logos I had long forgotten, and I quickly realized we had access to multiple fine fabric stores--not like our meager selection today.  I'm thankful for the Internet.  My mother had a lot of vintage patterns...not the 40s and 50s I love, but quite a few in the 70s.  I cringed as the best diggers pulled out some thread, trim or pattern I had missed.  None of the remaining patterns are my size, but I plan to use them as giveaways after I confirm their condition, so stay tuned!

Needless to say, not much sewing is being done here.  I had hoped to complete more projects before I must pack my machines and projects away.  What you may see is more of my handwork or travelling projects.  Who knows, I may have more time than I think.  After all, the economy being what it is, the house may be on the market for a while.



They come in multiple colors, too!

 I don't want you to leave until I pass along one of my sewing favorite things.   Take a hard look at the picture.  What are they?  If you've ever purchased a balloon at a party store, these are the optional weights that can be attached to the balloons to prevent them from floating away.  I use them as pattern weights.  I just love the colorsplash they bring as I cut out my patterns. 

The conical weight (see the grey unwrapped weight lying on its side) can be removed from the Mylar and wrapped in ribbon or embellished with anything that makes you smile.  Let the hot glue gun be your friend.  Be sure to glue felt to the bottom to prevent the rough stone from snagging your fabric, and cover sides of the weight with anything your heart desires.  The set I use fits neatly in a custom decorated box or at times, have been lined them up a shelf like well-dressed sewing room soldiers.  The pouf on the top has its advantages, and makes it easy to grab and re-position them.  I've been collecting them from miscellaneous birthday parties or anniversary celebrations for a few years.  If you must purchase them, they are approximately $1 each.   

As part of my garage sale preparation, I opened a box containing a pattern system I had never heard of.  Has anyone heard of this company or used this system?  The back of the book in the picture below says it was The Perfect Fit Publishing Company 1971 (revised 1975 - 530 5th Avenue, New York, NY  10038). 


Front Cover of book, touting the "Exclusive Over Lay and Trans-Dart Method




Like the Lutterloh system, this has a special ruler and miniature patterns to follow.

 It seems to be no longer in business, but if anyone can provide more information on this company or system, I would be interested in hearing about it.



Domino asks little from me....as long as I am continually touching him.
In this case, my feet will do just fine.

 Like CBSs "Sunday Morning,"  I'd like to leave you with a funny, nature moment.  My dog wore himself out imagining all our garage sale visitors came specifically to see him.  He performed his " Ain't I adorable" antics for each and every one who visited.  They allowed him to jump up on them (muddy, wet paws and all) and encouraged him to lick them in the mouth and he took advantage of stepping beyond the hours and hours of training he has endured to break these horrible habits.  lol 

At the end of the day he was so exhausted he didn't think about eating dinner!  Neither did I!....It has taken us both a couple of days to recover, and my excuse is my age. He's only three so I don't know what his issue is...you'll have to ask him..:)

I’ll talk to you again, soon….
Thank you for visiting! 



                  Stitch on…
you’ll get there…just make progress taking each
One at a time….

I Sew Other Stuff, Too....

From time to time, my sewing projects are things other than garments worn by me or my family.  I am happy to share a sewing project that should take an hour or two of your day and allow you to let off a little steam after a lengthy and complicated project.  With the recent release of the new McCalls Holiday Collection patterns the blogosphere was all abuzz.  I had also received my McCalls e-newsletter, and wanted to stop a moment to share what new things I noticed when I clicked on the link. 

I drooled over the new pattern for 18" doll clothes (aka the American Girl Dolls line)!  Those clothes looked so cute and up-to-date, I wished my niece was young enough to still play with the American Girl doll I bought her when she was 7 or 8 years old.  She is older now, just out of graduate school, yet she remembers getting that doll as a present.  I might have to find some naked 18" doll to sew for!....lol

I liked a few of the new Misses party dresses I saw in the collection, but I grinned when I saw that McCall's added a new pattern by one of my favorite patternmakers.   At the very end of the new pattern group was the cute little photo below....  This hippo and elephant pattern are examples of the animals from Carol's Zoo!  I met Carol as a vendor at a quilt show many years ago.  I am delighted to recommend her fun, unique and superbly-drafted patterns to you.  This lady has found a way to draft these animals with as few pattern pieces as humanly possible.  After taking the patternmaking class at the local college, I was amazed at their construction!  You will be, too!

McCalls 6484
Photo courtesy of McCalls.com

I was so excited to see Carol getting the recognition she deserves!  I have made the hippo from a tapestry fabric and used a coordinating tassel for his tail. He is soo cute, and made from 3 pattern pieces!


Last year, I made her mouse pattern (only 2 pieces!) in 90 minutes and was so pleased with how little time it took and how ingenious her pattern was.  She has designed an entire zoo of different animals, most of which have less than 4 pieces, and I encourage you to visit her shop while she is offering a 25% discount for any of her specially identified "pink" fur in honor of October's Breast Cancer Awareness Month.
 
Carol is a cancer survivor, and is such a nice woman, I would love to have her meet all of you and introduce you to her as a great source of beautiful and unique faux furs, excellently-drafted animal patterns, and lots of safety-designed eyes and noses for your stuffed creations.  She sells the patterns alone, but also has kits with everything you need to make a mother and child of each animal.  Don't forget to give her a look-see!

Look at the mouse pattern below for the mouse I made last Xmas:

Mama Mouse and Baby Mouse
photo courtesy of Carolszoo.com

 And, below is a picture of my grandson, the happy recipient of a new friend.  What did I do differently?  I put pipecleaners in his tail and filled his body and head with buckwheat shells from an old pillow I had.   He has enough heft in his bottom to sit, hold up his head and not fall over.  His whiskers are extra-long lengths of overwaxed black carpet thread.  I believe he has been named Eek, and I am more than delighted to see my grandson still has him (and his camouflage ribbon) when I requested a picture of them!  I loved making it!  Only one hour to create such delight.  Grandmas live for these moments!



Baby Mouse in Dining Room Early in the Morning




Baby Mouse Named Eek and my Grandson

Thanks for stopping by...! 
and keep stitching....one stitch at a time!

Fabric Selection is Key....

The journey toward the completion of this project went awry due to my inattentiveness to the "suggested fabrics" printed on the back of the pattern envelope.   This garment stalled because the weight of the fabric I chose affected the garment's final finishing touches.  Let me first confirm what the suggested fabrics for the top were:  charmeuse and crepe de chine.  I knew what both fabrics were, having worked parttime in fashion fabric stores (and sewn) for many years. I bought a beautiful piece of yardage from Gorgeous Fabrics I thought would be great and began the project.   (Thank you, Ann!)

Vogue 1039



I usually study a pattern before I begin to sew and I mean study---not just look at.  If I understand all the steps, the instructions become a guidepost to the sewing process and are referred to as a reminder of the construction sequence.  My sewing improved the minute I adopted this practice.  I definitely caused myself problems if I started to sew something when I didn't fully understand the instructions.  Nothing is worse than looking at the instructions in Step 'x,' and not understand what on earth they are asking you to do!  Hate it!  

During the time I spend studying the instructions, I make notes on the instruction sheet of the places where I plan to add or change a design feature or sewing technique.  I make written notes for things like label placement, where and how I plan to finish seams, how I plan to transfer the all-important dots, squares, and triangles (both large and small) from the pattern to fabric, and what colors will represent each shape.  Often I use different marking mediums; choosing between the chalk, crayon, tracing paper and/or tailor tacks that could all appear in the same garment.

My goal when I sit down at my machine is to change threads between the straight-stitch and overlock as few times as possible.  I sew in what I have learned are called 'units.' I begin with completing all the stay-stitching (or doing double-rows of gathers), attaching interfacing, then end by finishing all the seams.  Any foundation or detail work is usually done next (thread tracing, basting, pad stitching, welt openings, bound buttonholes, etc.).  Depending on the type of garment, these steps vary.  When I can put all the 'units' together without having to stop to baste, interface or pre-finish anything, I really feel my sewing session has been productive and it appears as if I accomplished a lot.

Because of how I work, my son has always thought I was an amazingly fast sewer.  He would wake up in the morning and he would have a new shirt after seeing a stack of fabric beside my sewing machine the night before.  He had no idea there was a lot of 'pre-work' being accomplished before he noticed the garment in-process.  I didn't think he was paying any attention!...lol.  This myth was uncovered when I began sewing Halloween costumes for my grandchildren.  He now knows how much time and love is invested in a Mom-made garment.  I had that superwoman illusion going for a loooonnngg time, didn't I?!  psssst...he'll be forty as of this Sunday!!!...((grin))  Happy birthday, son!


Neckline View
Bosom Toward Toes on Dressform

This pattern was categorized as being "Advanced/Plus Difficile" as far as Vogue's skill level estimates go.  I wouldn't say it would be more accurately described as 'tedious.'  This squared-neck tunic has 10 pieces; which I should have recognized as the first indicator it was going to challenge me to carefully handle the bias edges, tiny pleats, and gathered strips that are part of the design.  My disappointment has to do more with the way the neckline's pleated yoke was made unnecessarily complicated.  If I were to remake this garment, I would definitely re-draft it and omit the yoke's pleats.  This design has the front and yoke facing sewn together and finished with understitching at the neckline edge.  The pattern then instructs you to make the three box pleats in the front.  Next, the instructions say to stabilize the pleats at the front neckline (the three pleats can be seen in the picture above) by centering and stitching the pleats at the top neckline edge and again about 3 inches away around the yoke bottom.  This top almost became a wadder right here. 

The beautiful fabric I had selected was to lay smoothly at the neckline, and the top of the pleats were to be kept stationary by topstitching through all six layers of the pleats in the front and continuing on around the three other sides of the neckline.  You know I complained to myself, "There must be a better way!!!"  This was where I realized my fabric would not lay smoothly or appear as a single layer because it had much more 'body' or 'heft' than the fabric pictured on the envelope.  Well,....I thought about picking the yoke, front and pleats apart, removing the yoke facing pleats entirely and encasing pleats at the neckline in a neckline seam with the unpleated inside yoke.  I decided not to.  I ultimately concluded I'd done enough to make this garment any more different or unique. I blame myself for not picking a tissue weight fabric and missing the construction of this design element while I was 'studying.'  I do like the top, though.  The fabric feels sooo good, and I like the added color detail because it's slimming.  I have made written notes all over the pattern instructions in case I try it again to remind myself to use my alternate solution for finishing the neckline.  Moving on....  Here are some final garment pictures. 

 


Front

Back

 



Time to share......I went to the Pacific International Quilt Festival XX at the Santa Clara Convention Center this past weekend.  What fun!    Now, I'm not much of a quilter, specifically....but I do admit loving to be around creative energy, and am always awed by the meticulous handwork of women (and more and more men) world-wide.  This is the largest quilt festival on the west coast, and is the gathering place for enthusiasts from all over.  The adjacent hotel is filled ladies dragging rolling carts flashing credit cards used exclusively for this four-day annual event.  I was with a good girlfriend of mine who has similar creative interests (quilts and purses/totes) so, we were able to leisurely stroll every aisle and look for new products and notions in addition to admiring hundreds of quilts.  We stayed all day...dragged our old legs home after walking that cement floor all day!  .... Loved It! 

...Remember, just keep sewing!

                               one stitch at a time....

All It Took....

Wow!  You came back to see what happened?!  Thank you so much!

Well, I've completed the Issey Miyake jacket and am anxious to show you the winning buttons and my next project.  Ummm.....let me see, where were we???.....Oh, yeah....Wasn't it here?...

I love my Singer automatic buttonholer!

 Here you see my trusty Singer buttonholer making one of the five buttonholes on the collar.  Both layers of the collar were handled as one, and adding a piece of tear-away stabilizer kept everything in line.  Doing these buttonholes and sewing on the buttons took an hour or so...no time at all.

What will surprise you if you make this jacket?  I was surprised to find that this jacket has what the instructions call a gusset under the sleeves.  I had no previous experience with this type of gusset, and wondered why the designer would choose to use it here.  Now, as I give the jacket its final press, I understand the function of this design choice.  As I smooth the jacket on the dress form, I notice the kimono sleeve falls smoothly from the dropped shoulder because it is supported by the gusset and undersleeve and there is no underarm pinch visible when the arm is moved. 

I was also surprised there is a tie belt in the back.  I'm not a 'tie-belt-in-the-back' kinda girl.  I am old enough to have lived when girls of elementary school age were required to wear dresses to school.  And, at the time, almost every little girl's dress had waist ties which were secured in a big bow just before you left for school.  I always managed to come home with one torn and scraggly tie hanging from a rip at the side seam or (at minimum,) left dragging loose in the dust behind me--the bow a distant morning memory.  I always got in trouble for this and seeing them brings back my mother's disappointment (once again) in my wardrobe malfunction and proof of some unladylike activity. 

So. as an adult, when the patterns I select have ties in the back, I usually omit them.  I used them in this case because the boxy style of the jacket needs some waistline shaping.  I also confess I may have selected the wrong interfacing, and wish I had selected a softer one to use at the cuff and hemline.  The interfacing used on the front facings is fine being stiffer or crisper, but the sharpness is not needed any other place, so I wish I had substituted a different one. 

So...here is the finished product.--------------'>'

I apologize for the poor-quality pictures.  The browns and oranges are so much more vivid than they appear here.  I'm getting better and better at taking them, so bear with me pleeze...:) 

What button did I use?  I totaled all the votes received before midnight Sunday, and the winner is.........



Four-hole 3/8" shell
button

The tiny speckled shell button is the one selected by a majority of votes.......;)   I sewed the button over a round toothpick and wound thread between the fabric and button back to create the lift I wanted to avoid any pull or imprint on the fabric surface.



Jacket Back with Tie Belt



Lining and Welt Pockets

 I pulled a little of the pocket lining out of the pocket on the left so you could see the welt positioning.  They turned out really well in spite of me not doing any for a while.
And, my label at the back of the neck....the signal of the project coming to its conclusion.  I won't be making the pants included in this pattern, but I have several pairs of linen pants (i.e., white, ivory, copper-colored) that will coordinate well so I can wear it into California's fall weather. 
I'll get better at explaining myself and documenting my work without making my posts picture heavy.  Leave me a message if there's anything I can describe in more detail or clarify. Thanks for going with me!

*****

Next, I'll be sharing how the top mentioned in my first blog turned out (Donna Karan Vogue 1039).  This top was the last garment begun without knowing anything about a Full Bust Adjustment (FBA)---which I found out was one of the first things I need to make.  I was taking a sewing class at the local junior college and at the time, this top was what I was working on in my personal life.  It won't have that FBA, but I'll share the process of sewing the last garment cut out in a larger size to accomodate the alteration.  I'm happy that I now know much more about the pattern-making and altering process and can make accurate changes in garment design that work for my body.  It has also helped me incorporate different construction techniques (couture or manufacturing) into my projects.  I'll show you what I mean when we discuss this design.  I'll need your opinion on some things, too....so, don't forget to check back.  I looovvvve company......!

Til then....

Keep going!...one stitch at a time....

Clearing the Queue....

I will be moving sometime this winter, so I am focusing on finishing all the sewing projects I can before I pack up my machines for my return to Georgia. Completion of the garment in this post required I put in eight buttonholes. That dictated I select my buttons to determine what size buttonholes to make. Ultimately, I matched a fabric swatch and found two sets of buttons at the recent Bay Area Quilt, Craft & Sewing Expo in San Mateo, CA. I opted to use buttons smaller than the 7/8" suggested size. I didn't want the buttons to detract from the jacket design or interrupt the fabric visually. The fabric I chose is busy enough, I think. I also decided to make one buttonhole through both collar layers for each of the buttons.

When I chose this Issey Miyake jacket pattern (Vogue 1052) I remember wandering the aisles at Joann's looking for the right fabric. I knew I wanted something lighter than the "lightweight gabardine, poplin or denim" listed on the pattern back as Suggested Fabrics. I ultimately selected a dollar-per-yard chiffon from the sale area.  I felt like the collar made from this fabric would be softer and prettier, although I knew my choice would require I also underline the jacket front, back, and sleeves. The back of the pattern describes it as fully lined, with welt pockets, back tie belt, and a collar consisting of two matching layers atop one another with wrong sides together.

Let me now thank the ten ladies who have posted reviews of this pattern on patternreview.com, one of whom shared a technique for finishing the collar edges (involving a cording foot and Pearl Cotton No. 5 thread) that was much more appealing than the "turn-and-zigzag" instructions in the pattern. (Thanks ITAdmin!)  I have provided a link to her review because she documented the technique far better than I could. The worldwide sewing community's willingness to share construction techniques has improved my sewing knowledge and refined my final garments immensely! Thank you all for sharing your knowledge and blogging about it! .

Buttons are my favorite part of any garment. I have often paid more for the buttons than the garment fabric. Don't you feel that buttons often will make the garment?  I confess....I have a thing for buttons....(the button wall at Stone Mountain and Daughter sends me into rapture.) Initially, I was certain I wanted shank buttons...but, I stumbled into a four-hole button that fades completely into the background on this fabric.

You can help me choose the right button....Which one would you select? I know...they're hard to see, aren't they? The shank button (nestled just above the end of the fabric signature running at the bottom along the selvedge) is approximately 1/2" wide, and the speckled 4-hole shell button is smaller, about 3/8". The packets were about $1.75 each and contain 8-10 buttons. Such a deal!  I hope you can click on the picture to enlarge it....I would really like to hear your opinion on which button you'd select.  Especially if you are a button person, like me!  (smile)  My plan is to get the final jacket photo taken this weekend, so get your votes in early! 

Thanks for stopping by....

Talk to you soon!

Cynthia

A Birth Announcement

I'm marking today as the day...
I'm putting my toe in the water...
What is the worst thing that could happen?

Okay, I apologize for the long interval between today and my first post, but I assure you I've been sewing and reading quite a few blogs since then. ....and, I've learned A LOT! I've watched bloggers deal with anonymous meanies, drooled over the fantastic give-aways, and decided what kind of comments I want to encourage from anyone stopping to read my thoughts. So, there is no better time than today for me to step out of the shadows and share a little more of who I am and what I do creatively in my life.

Today's blog came about as a result of my niece's cell phone suddenly having problems sending text messages to me. (It's still happening, each carrier pointing fingers at the other.....grrrr!) I visited my carrier's local office in an attempt to resolve the problem and while there a technician demonstrated how to get the pictures from my phone to my computer. The solution required I enroll in a data plan (something I never thought I would need.) Today you get to see one of the projects whose photos were on my phone.

My sister has inspired me to do this particular project. She is a flight attendant and has always carried some sort of needlework to fill hotel and airport moments on her trips. On a recent trip, I saw her carrying this cross stitch project and I decided it was a perfect gift for a very good friend of mine who was expecting her first grandchild very soon. Well, I promptly sought a copy of the chart and ordered it from a vendor on Ebay. I used the 18 count Aida because the size of the completed project would be 6 1/2" x 7" prior to framing. Without saying a word to my sister, I began the project. The baby was not yet born, and I was determined to deliver it prior to the baby's first birthday! Okay...so I finished the work before my sister finished hers, and the closer I got to the final backstitching and lettering, I showed it to her so we could discuss our projects.

It was then that I discovered the area in the middle of my cross stitch left very little room for the simple name and details I needed to squeeze in. I tried hard to chart the baby's name (first, middle and last), the date, weight and length. I wasn't willing to eliminate one of those details, but each were considered. You will see how I worked it out in the next picture. How did my sister avoid this problem? She cross stitched the baby's name and details prior to beginning the floral work! Because she cross stitched the lettering in all caps, her finished product was huge when compared to mine. She ended up having to expand and stretch out the flowers, and took my idea of adding the butterflies to hers to fill space. Because I hadn't spoken to her about how to she started, I walked right into creating my problem. You'll see how I worked it out by looking at the next picture.

As you will see...my self-inflicted drama did not end there. I had decided I wanted to change the flowers on my project. My sister had told me there was a "girl" chart (it has the girl's name in the chart photo) and a boy's chart (with a boy's name) on the chart cover photo. She told me the boy's chart has little boys, and the girl's chart babies were little girls (the girls have pigtails). That information is not true.

I started work using the chart with the pink border, but I didn't like the yellow flower, so I changed it to the little baby bent over looking at the worm and backed her with the irises. I think I switched a couple of the babies around. I also changed the coloring of three babies using different shades of brown. This gift was for the child of an interracial couple who I knew would be a child whose coloring would be a blend of her parents. Making these changes revealed the subtle shading on their features and bodies that was not noticable in the darker shades. I used gold metallic thread for the babies wings, so there is a gossamer-like twinkle every once in a while when you look at the picture. I also added the little blue butterfly to fill in what appeared as open space when I had to drop the lettering a few rows to balance filling in the space. It was a great project, and the baby was 3 months old when I finished it and mailed it off!

My friend loved it so much she didn't pass it along to her son. She museum framed it and hung it on the wall of her spare bedroom. Should I have been surprised? Would you pass it along if it were a gift to you? I didn't make any stipulation, but feel I caused a problem by not doing so. Should I have sent her a picture and mailed it directly to the parents? And, please share what do you do when you're not sewing!

Thanks to you and everyone for taking a moment to read my blog!
I promise to come back soon if you will. too...!

The Birth Announcement?....My son is having his second child early next year! I'm sooo excited.... Being a grandmother is WONDERFUL!